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Piranesi Book Summary : From the New York Times bestselling author of Jonathan Strange & Mr Norrell, an intoxicating, hypnotic new novel set in a dreamlike alternative reality. Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house-a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known. For readers of Neil Gaiman's The Ocean at the End of the Lane and fans of Madeline Miller's Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.
The Prisons Le Carceri Book Summary : Reprinted from rare, expensive first and second editions, this version of Piranesi's masterwork presents side-by-side renderings of original and extensively revised drawings in a large format. 33 full-page illustrations.
The Piranesi Effect Book Summary : The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
Piranesi Unbound Book Summary : "One of the greatest graphic artists of any age, Giovanni Battista Piranesi (1720-78) is best known as the virtuoso etcher responsible for print series such as Imaginary Prisons and Views of Rome. These largescale engravings depict scenes in and around Rome, taken from first-hand examinations of antiquities and classical structures. Piranesi combined these vistas with exaggerated compositions, scale, and perspective, in order to create immense, ambiguous scenes that have inspired generations of artists-Piranesi's 18thcentury biographer named him "the Rembrandt of ruins." But Piranesi was also a gifted and prolific scholar, architect, and designer, who printed and published twelve books over the course of his career. While most of his visual work was created to appear alongside texts that explain his theories of space, architecture, and drawing, their study has historically separated the images from the texts for which they were designed. Co-authored by two leading scholars, this is the first book to examine Piranesi's complete printed volumes and career as a maker of books, and argues that his engravings cannot be fully understood without studying them in the context of the books he designed. Individual chapters examine how Piranesi's drawings and prints became pages, how pages and plates became volumes, how volumes became books, and how books were marketed, sold, and read. Embedded within these essays are several focused explorations of each theme: illustrations with texts designed to explicate aspects of Piranesi's production and distribution"--
Nelle Carceri di G B Piranesi Book Summary : "This title focuses on an Italian architect and engraver of the 18th century - Piranesi. In this book it is argued that Piranesi grants a metaphorical meaning to the Carcesi - a set of etchings - in order to impriso those he saw as obstructing the arts and threatening his own freedom. In light of the growing academic interest in Italy and the re-organization of many university courses in Italian, this series aims to bring together di fferent scholarly perspectives on Italy and its culture."
Piranesi Drawings Colour Plates Book Summary : Giovanni Battista Piranesi (1720-1778), Italian engraver and architect, is best known for his etchings of ancient and baroque Rome and grandiose architectural constructions of his own imagination. Throughout most of his adult life Piranesi made etchings of views of the city; not only its antiquities, such as the Pantheon, but also its contemporary masterpieces such as the Capitoline and Piazza Navona. The scenes are animated with tiny, frail, fluttering figures. Long before he died his prints of his adopted city had caught the imagination of much of Europe.
Observations on the Letter of Monsieur Mariette Book Summary : An impassioned plea for a Roman-Style eclecticism that draws freely on all artistic forms and traditions, Piranesi's Observations anticipates the contemporary debate between devotees of a rational, minimal architecture and advocates of an architecture rich in ornament and historical references."--BOOK JACKET.
Piranesi Drawings Book Summary : A new exploration ofPiranesi's work as adraftsman, publishedto coincide with anexhibition at theBritish Museum. The Venetian-born artist Giovanni Battista Piranesi (1720-1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri ("Prisons"). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi's celebrated skill as a draftsman. While many studies are concerned with Piranesi's activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.