Hollywood Propaganda

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The Hollywood Propaganda of World War II
Author: Robert Fyne
Publisher: Scarecrow Press
Release Date: 1997
ISBN 10: 9780810833104
Pages: 245 pages

The Hollywood Propaganda of World War II Book Summary : An in-depth study that examines WWII movies, analyzing many motifs, stereotypes, ficiton-as-fact, distortions, and prevarications that permeate this genre.

Hollywood Propaganda  How TV  Movies  and Music Shape Our Culture
Author: Mark Dice
Publisher: Mark Dice
Release Date: 2020-10-03
ISBN 10: 1943591105
Pages: 336 pages

Hollywood Propaganda How TV Movies and Music Shape Our Culture Book Summary : Films and television shows aren’t just entertainment. They are powerful vehicles that influence social and political trends, ultimately shaping the very fabric of our culture. Because of this potential, there are various agencies which work behind the scenes in Hollywood to harness these forces for their own aims or those of their clients.

Few people outside the industry are aware that such agencies exist and are hired by advocacy groups to lobby studios, writers, and producers in order to get their ideas inserted into plots of popular works.

These Hollywood lobbyists have been instrumental in successfully paving the path for same-sex marriage to become legal, destigmatizing abortion, encouraging mass immigration, and sounding the alarm about climate change; all under the cloak of mere “entertainment.”

More recently we’ve seen these same powers levied against President Trump, his supporters, and used to demonize “white privilege” as an invisible enemy that’s supposedly around every corner.

Even sports and late-night comedy shows are employed for political causes, violating the once unwritten cardinal rules of their industries. In this groundbreaking work, media analyst Mark Dice details the true power of entertainment and proves how it is being used to wage a psychological war against the world.

Hollywood Goes to War
Author: Clayton R. Koppes,Gregory D. Black
Publisher: Univ of California Press
Release Date: 1990-08-16
ISBN 10: 9780520071612
Pages: 374 pages

Hollywood Goes to War Book Summary : The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

Hollywood s Cold War
Author: Tony Shaw
Publisher: Univ of Massachusetts Press
Release Date: 2007
ISBN 10: 9781558496125
Pages: 342 pages

Hollywood s Cold War Book Summary : Published at a time when American filmmakers are deeply involved in the War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the 20th century: the Cold War.

Hollywood Enlists
Author: Ralph Donald
Publisher: Film and History
Release Date: 2017-03-15
ISBN 10: 9781442277267
Pages: 252 pages

Hollywood Enlists Book Summary : This book explores how the Hollywood studios used sophisticated strategies of propaganda to ideologically unite the country during WWII. Through such films as Casablanca, They Were Expendable, and others, the studios appealed to the public s sense of nationalism, demonized the enemy, and stressed that wartime sacrifices would result in triumph."

Primetime Propaganda
Author: Ben Shapiro
Publisher: Harper Collins
Release Date: 2011-05-31
ISBN 10: 0062092103
Pages: 416 pages

Primetime Propaganda Book Summary : “Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” —Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential exposé of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.

Hollywood and Anti Semitism
Author: Steven Alan Carr
Publisher: Cambridge University Press
Release Date: 2001-04-30
ISBN 10: 9780521798549
Pages: 342 pages

Hollywood and Anti Semitism Book Summary : Examines the role of American Jews in the entertainment industry.

Historical Dictionary of American Propaganda
Author: Martin J. Manning,Martin Manning,Herbert Romerstein
Publisher: Greenwood Publishing Group
Release Date: 2004
ISBN 10: 9780313296055
Pages: 394 pages

Historical Dictionary of American Propaganda Book Summary : Covers the history of propaganda that was created by the United States government.

Film Study
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Release Date: 1990
ISBN 10: 9780838631867
Pages: 4 pages

Film Study Book Summary : The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

Hearst Over Hollywood
Author: Louis Pizzitola
Publisher: Columbia University Press
Release Date: 2002
ISBN 10: 9780231116466
Pages: 525 pages

Hearst Over Hollywood Book Summary : As a feature film producer, Hearst was responsible for some of the most talked-about movies of the 1920s and the 1930s. Behind the scenes in Hollywood, Hearst had few equals - he was a much-feared power broker from the Silent Era to the Blacklisting Era.".

Film Propaganda and American Politics
Author: James Combs,Sara T. Combs
Publisher: Routledge
Release Date: 2013-12-17
ISBN 10: 1317929055
Pages: 224 pages

Film Propaganda and American Politics Book Summary : Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.

Patterns of Bias in Hollywood Movies
Author: John W. Cones
Publisher: Algora Publishing
Release Date: 2012
ISBN 10: 0875869572
Pages: 196 pages

Patterns of Bias in Hollywood Movies Book Summary : It's pretty broadly recognized that Hollywood movies contain patterns of bias, but it's not just people of color or women who are hurt by this. Many groups within America's multicultural society have complained over the years about negative and stereotypical portrayals of their own group members in motion pictures produced or released through the Hollywood-based studios. Yet, as an expert on the U.S. film industry points out, such complaints have had little impact on consistent patterns of bias in movies. This book takes a broader look at the nature of negative and stereotypical movie portrayals and tracks patterns of such one-sided depictions over a longer period time. As a result, the patterns of bias — and the source the problem — become more clear. The problem appears be that most of the people who have green-light authority in the U.S. film industry — for either the production and/or distribution of a motion picture — share a common ethnic/religious/cultural background. Thus, the stories of their cohort and those of all other ethnic, religious and/or cultural groups (whose members seldom achieve positions of power Hollywood) are being filtered through the cultural sensibilities of a single group. John Cones suggests that the solution could lie in increasing diversity at the highest levels in the U.S. film industry. This work grew out of the observed frustration of film industry critics who have pointed out examples of bias and stereotyping in specific movies over the years only to be rebuffed by the simplistic studio arguments that such films reflect the real world and that moviegoers vote with their pocket books. It can be shown that there is a consistent pattern to the choices Hollywood studio executives make with respect to the movies produced and released and the specific content of those movies, and it becomes obvious that Hollywood is selectively portraying reality. Movie goers only have limited options among all of the possibilities that could be portrayed on the silver screen. This book differs from other studies touching on bias in motion pictures. Most such books focus on the treatment of a single ethnic, religious, cultural, racial or other readily identifiable interest group, but this study attempts to provide an overview and to identify patterns over time. When the patterns of bias in motion picture content are sufficiently demonstrated and documented, it becomes easier to identify the source of the bias and to explain why such bias exists.

Hollywood v  Hard Core
Author: Jon Lewis
Publisher: NYU Press
Release Date: 2002-09-01
ISBN 10: 0814729339
Pages: 377 pages

Hollywood v Hard Core Book Summary : In 1972, The Godfather and Deep Throat were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance. Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together. Yet between 1968 and 1973 Hollywood films were faltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films--from foreign art house film Last Tango in Paris to hard-core pornography like Behind the Green Door--that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.

Controlling Hollywood
Author: Matthew Bernstein
Publisher: A&C Black
Release Date: 2000-01-01
ISBN 10: 9780485300925
Pages: 292 pages

Controlling Hollywood Book Summary : Explaining the major forces at play behind the making of Hollywood films, this text assesses how changing values have influenced censorship in Hollywood. The text also analyses the major cultural, social, legal and religious changes and their effect on Hollywood.

The Use of Arthurian Legend in Hollywood Film
Author: Rebecca A. Umland,Rebecca A.. Umland,Samuel J. Umland
Publisher: Greenwood Publishing Group
Release Date: 1996
ISBN 10: 9780313297984
Pages: 205 pages

The Use of Arthurian Legend in Hollywood Film Book Summary : This is the first book to examine the various uses of the Arthurian legend in Hollywood film, covering films from the 1920s to the present. The authors use five representational categories: intertextual collage (or cult film); melodrama, which focuses on the love triangle; conservative propaganda, pervasive during the Cold War; the Hollywood epic; and the postmodern quest, which commonly employs the grail portion of the legend. Arguing that filmmakers rely on the audience's rudimentary familiarity with the legend, the authors show that only certain features of the legend are activated at any particular time. This fascinating study shows us how the legend has been adapted and how through the popular medium of Hollywood films, the Arthurian legend has survived and flourished.