An official Oprah Winfrey’s “The Books That Help Me Through” selection A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation, gave passionate voice to the emerging civil rights movement—and still lights the way to understanding race in America today. "Basically the finest essay I’ve ever read. . . . Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you.” —Ta-Nehisi Coates At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.
The landmark work on race in America from James Baldwin, whose life and words are immortalized in the Oscar-nominated film I Am Not Your Negro 'We, the black and the white, deeply need each other here if we are really to become a nation' James Baldwin's impassioned plea to 'end the racial nightmare' in America was a bestseller when it appeared in 1963, galvanising a nation and giving voice to the emerging civil rights movement. Told in the form of two intensely personal 'letters', The Fire Next Time is at once a powerful evocation of Baldwin's early life in Harlem and an excoriating condemnation of the terrible legacy of racial injustice. 'Sermon, ultimatum, confession, deposition, testament, and chronicle ... all presented in searing, brilliant prose' The New York Times Book Review 'Baldwin writes with great passion ... it reeks of truth, as the ghettoes of New York and London, Chicago and Manchester reek of our hypocrisy' Sunday Times 'The great poet-prophet of the civil rights movement ... his seminal work' Guardian
A surprise New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY). In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future. Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).
"This is a book of stories," writes Henry Louis Gates, "and all might be described as 'narratives of ascent.'" As some remarkable men talk about their lives, many perspectives on race and gender emerge. For the notion of the unitary black man, Gates argues, is as imaginary as the creature that the poet Wallace Stevens conjured in his poem "Thirteen Ways of Looking at a Blackbird." James Baldwin, Colin Powell, Harry Belafonte, Bill T. Jones, Louis Farrakhan, Anatole Broyard, Albert Murray -- all these men came from modest circumstances and all achieved preeminence. They are people, Gates writes, "who have shaped the world as much as they were shaped by it, who gave as good as they got." Three are writers -- James Baldwin, who was once regarded as the intellectual spokesman for the black community; Anatole Broyard, who chose to hide his black heritage so as to be seen as a writer on his own terms; and Albert Murray, who rose to the pinnacle of literary criticism. There is the general-turned-political-figure Colin Powell, who discusses his interactions with three United States presidents; there is Harry Belafonte, the entertainer whose career has been distinct from his fervent activism; there is Bill T. Jones, dancer and choreographer, whose fierce courage and creativity have continued in the shadow of AIDS; and there is Louis Farrakhan, the controversial religious leader. These men and others speak of their lives with candor and intimacy, and what emerges from this portfolio of influential men is a strikingly varied and profound set of ideas about what it means to be a black man in America today.
A beautiful gift edition of the number one New York Times bestseller—from the founder and president of the Children's Defense Fund.
Why did Black-Korean tensions result in violent clashes in Los Angeles but not in New York City? In a book based on fieldwork and on a nationwide database he constructed to track such conflicts, Patrick D. Joyce goes beyond sociological and cultural explanations. No Fire Next Time shows how political practices and urban institutions can channel racial and ethnic tensions into protest or, alternately, leave them free to erupt violently. Few encounters demonstrate this connection better than those between African Americans and Korean Americans.Cities like New York, where politics is noisy, contentious, and involves people at the grassroots, have seen extensive Black boycotts of Korean-owned businesses (usually small grocery stores). African Americans in Los Angeles have sustained few long-term boycotts of Korean American businesses--but the absence of "routine" contention there goes hand in hand with the large-scale riots of 1992 and continuous acts of individual violence.In demonstrating how conflicts between these groups were intimately tied to their political surroundings, this book yields practical lessons for the future. City governments can do little to fight widening economic inequality in an increasingly diverse nation, Joyce writes. But officials and activists can restructure political institutions to provide the foundations for new multiracial coalitions.
Passionate, strong-minded nonfiction from the National Book Award-winning author of The Corrections Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity and the hidden persistence of loneliness in postmodern, imperial America. Recent pieces include a moving essay on his father's stuggle with Alzheimer's disease (which has already been reprinted around the world) and a rueful account of Franzen's brief tenure as an Oprah Winfrey author. As a collection, these essays record what Franzen calls "a movement away from an angry and frightened isolation toward an acceptance--even a celebration--of being a reader and a writer." At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of our sharpest, toughest, and most entertaining social critics.
"In February 1965, novelist and 'poet of the Black Freedom Struggle' James Baldwin and political commentator and father of the modern American conservative movement William F. Buckley met in Cambridge Union to face-off in a televised debate. The topic was 'The American Dream is at the expense of the American Negro.' Buccola uses this momentous encounter as a lens through which to deepen our understanding of two of the most important public intellectuals in twentieth century American thought. The book begins by providing intellectual biographies of each debater. As Buckley reflected on the civil rights movement, he did so from the perspective of someone who thought the dominant norms and institutions in the United States were working quite well for most people and that they would eventually work well for African-Americans. From such a perspective, any ideology, personality, or movement that seems to threaten those dominant norms and institutions must be deemed a threat. Baldwin could not bring himself to adopt such a bird's eye point of view. Instead, he focused on the 'inner lives' of those involved on all sides of the struggle. Imagine what it must be like, he told the audience at Cambridge, to have the sense that your country has not 'pledged its allegiance to you?' Buccola weaves the intellectual biographies of these two larger-than-life personalities and their fabled debate with the dramatic history of the civil rights movement that includes a supporting cast of such figures as Robert Kennedy, Martin Luther King Jr., Malcolm X, Lorraine Hansberry, and George Wallace. Buccola shows that the subject of their debate continues to have resonance in our own time as the social mobility of blacks remains limited and racial inequality persists"--
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
The final novel from one of the twentieth century’s greatest writers. Most of the Blackwoods are dead. They were poisoned by arsenic, and the suspected murderer – Constance Blackwood – still lives in their family estate. In fact, she never leaves. Nor does her Uncle Julian, who is confined to a wheelchair. The only person to leave the house is her sister, the third remaining Blackwood, Merricat, and even she keeps her visits to town to a minimum. The townsfolk don’t like the Blackwoods; understandable, when one of them could be a mass murderer. Constance, Merricat, and Julian maintain a semblance of a normal, if highly reclusive, life, aided – if Merricat is to be believed – by several magical wards and charm. But when one of these charms is disrupted, her estranged cousin Charles turns up for a visit, and threatens to throw the Blackwoods’ fragile peace into chaos. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.