An emotionally moving novel of a woman in search of a new beginning and a man haunted by the past—from the New York Times bestselling author of the Tradd Street novels. At thirty-two, Jillian Parrish finally finds the courage to put herself in the driver’s seat of her life. Pregnant and recently divorced, she and her seven-year-old daughter find refuge and solace on Pawleys Island, South Carolina—Jillian’s only source of happy childhood memories. Summers spent at her grandmother’s beach house had been Jillian’s sanctuary from indifferent parents—until her best friend Lauren Mills disappeared, never to be found. Linc Rising, Lauren’s boyfriend and Jillian’s confidant, had been a suspect in Lauren’s disappearance. Jillian had never doubted his innocence—but because her parents had whisked her back home to Atlanta, she never got a chance to tell him. Now, a resentful Linc is back on Pawleys Island—renovating the old Mills house. And as ghosts of the past are resurrected, and as Jillian’s daughter begins having eerie conversations with an imaginary friend named Lauren, Jillian and Linc will uncover the truth about Lauren’s disappearance and about the feelings they have buried for sixteen years...
From New York Times best-selling author of the Dinotopia series, James Gurney, comes a carefully crafted and researched study on color and light in paintings. This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesnâ€™t Exist. James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction. "James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.
A novel of art, passion, and vampires.At the American Academy of Classical Art, popular opinion has it that the school's handsome and mysterious founder, Raphael Sinclair, is a vampire. It is a rumor Rafe does nothing to dispel.Scholarship student Tessa Moss has long dreamed of the chance to study at Rafe's Academy. But she is floundering amidst the ups and downs of a relationship with egotistical art star Lucian Swain.Then, one of Tessa's sketches catches Rafe's attention: a drawing of a young woman in 1930s clothing who is covering the eyes of a child. The suitcase at her feet says Wizotsky. Sofia Wizotsky, the love of Rafe's life, was lost during the Holocaust. Or was she? Rafe suspects Tessa may be the key to discovering what really happened.As Rafe finds excuses to interact with Tessa, they quickly discover they cannot deny their growing attraction to one another. It is an attraction forbidden by the Academy Board and disapproved of by anyone familiar with Rafe's playboy reputation and Tessa's softhearted innocence. But what if fate has other plans for Tessa and Rafe? What if they break all rules to succumb to a passion that defies history?
The great Dutch artist Vincent van Gogh comes to life in a new light on the pages of this splendid volume. Through eloquent poetic meditations on Van Gogh's late paintings, Marilyn Chandler McEntyre shows how these artworks testify to divine presence, and she invites readers to find their way through form, color, and light into a new awareness of the Spirit. Some of McEntyre's poems remind us of the sorrows in the life of this solitary artist and of his infinite longing. Some convey Van Gogh's epiphanies of joy and energy, expressing themselves in color. McEntyre sees the paintings as inviting us to see things in a different light, and her poetry is an act of consent to that invitation, providing an intimate encounter with these great works. Evocatively pairing art and poetry on two-page spreads, The Color of Light is McEntyre's third in a trilogy of poetry books on Dutch master painters, each of which invites us to reflect not only on the artist's life and faith but also on our own.
These 366 daily meditations were written for those of us who are living with our own or a loved one's HIV or AIDS diagnosis, and offer acceptance and understanding. These 366 daily meditations were written for those of us who are living with our own or a loved one's HIV or AIDS diagnosis. The readings can enhance the healing process by helping us to accept, understand, and integrate our values with those offered through Twelve Step recovery; and provide positive thoughts to encourage us to focus on our priorities.
Color & Light is an essential practical guide to how color works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see color, how to construct effective lighting palettes, and how to make use of both color filters and color-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories. We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Today's LED-based additive color-mixing fixtures require new methodologies and new ways of thinking, and Color & Light directly addresses this technology's potentials and challenges. But underpinning lighting's many recent technological changes is the fundamental language of color that artists have worked with since the birth of humanity's artistic urges.
"Human beings feel a universal attraction to light. It is the source of life-giving energy . . . and where there is light there is color." "Color is light made visible," says Donald Kaufman," and the atmosphere of the air we breathe and the quality of the light passing through it affect how we see color." A wall painted terra cotta in Santa Fe will look very different than a wall painted terra cotta in New York. By understanding the nature of the light and atmosphere in the place where you live, paint palettes for rooms can be selected that will enhance the light and create luminous effects. In these inspiring pages filled with breathtaking rooms, Kaufman and Dahl have visited homes in different regions of the country and explored the particularities of the light and air in each to show how colors were chosen to enhance the available light. Whether it be the veiled light of the South and Northwest, the dry air and harsh light of the desert, the misted light of northern cities, the incandescent light over water, the clear light of the mountains, or the glaring light reflected from snow, each has its own way of interacting with color indoors. The reader also learns that, just as colors change with the region, they vary with the seasons and times of day. Molecules of air, water vapor, ice crystals, nearby buildings, or the tree branches and leaves we see outside our rooms all interact with painted interiors. We come to understand that the colors on our walls need not be fixed but can reflect the subtle changes that happen outdoors. In Kaufman and Dahl's "Color: Natural Palettes for Painted Rooms, the authors transformed forever the way we see colors in nature and in the painton our walls. In Color and Light, they take us one step further to help us understand the role of the kinds of light we live with and how we can bring the sun's warmth and luminosity inside.
The deeper the darkness, the brighter the light For more than a decade minister Analiese Wagner has felt privileged to lead her parishioners along a well-lit path. Her commitment has never been seriously tested until the frigid night she encounters a homeless family huddling in the churchyard. Offering them shelter in a vacant parish house apartment and taking teenage Shiloh Fowler—a girl desperate to rescue her parents—under her wing, she tests the loyalty and faith of her congregation. Isaiah Colburn, the Catholic priest who was her first mentor and the man she secretly longed for, understands her struggles only too well. At a crossroads, he's suddenly reappeared in her life, torn between his priesthood and his growing desire for a future with Analiese. Divided between love and vows they've taken, both must face the possibilities of living very different lives or continuing to serve their communities. With a defeated family's trust and her own happiness on the line, Analiese must define for herself where darkness ends and light begins.
Poetic and sparse, a bedtime story told by the elements.