In looking back on four decades of anthropology in the field, Clifford Geertz creates a personal history that is also a retrospective reflection on developments in the human sciences amid political, social, and cultural changes in the world.
Why do we no longer trust facts, experts and statistics? In this essential guide to the turbulent times in which we live, Marcus Gilroy-Ware investigates our era of post-truths and fake news and answers the question of where we can go from here. We are supposed to have more information at our disposal now than at any time in history. So why, in a world of rising sea levels, populist leaders, resurgent fascism and a global pandemic, do so many people believe bizarre and untrue things about the world we live in? In After the Fact?, Marcus Gilroy-Ware shows us what really created the conditions for mis- and disinformation, from fake news and conspiracy theories, to bullshit journalism and the resurgence of the far-right, and why liberal newspaper columnists and centrist politicians are unable to turn back this tide. Spanning politics, culture, psychology, journalism, and much more, After the Fact? is a timely wake-up call for those who believe we can simply go "back to normal", and instead argues that, if we are to put an end to "fake news" we must deal with the broader social crises that are responsible for it.
|Publisher||: McGraw-Hill Higher Education|
|ISBN 10||: 0077413482|
|Pages||: 329 pages|
The big problem with romance is eliminating the guess work. Who hasn’t toyed with the idea of two people who are “meant to be” together? Peter and Isabel are no exception. They, too, toy with the idea. However, when it comes to finding out, they run separate from the pack. Contract in hand, Peter and Isabel intend to find out – in fifteen weeks, no less – if they are destined for each other, or not. How in the Greater New Orleans Area can two human beings put fate on a timetable? Beware of biting off more than you can chew.
In archaeology, photography is mainly used as a technique for gathering data and evidence. Within the framework of the research project '(in)site, site-specific photography revisited' the relationship between photography and archaeology, or broader, history is explored. How do photographers visualize history? What is the importance of place, particularly the place that remains after the event took place? How do photographers or artists use photography to depict the past, when time has become 'past time'? These articles and portfolios explore, both on practical and theoretical level, how history can be captured. The research project is an attempt to redefine the traditional relationship between archaeology and photography in order to produce new forms of image-making more adapted to contemporary visual culture. The project considers photography as a practice in which a picture is shaped and constructed by the photographer, not a practice in which a picture is mechanically taken.
This trenchant analysis examines the many ways our society's increasingly tenuous commitment to facts laid the groundwork for Donald Trump's rise to power. Award-winning journalist Nathan Bomey argues that Trump did not usher the post-truth era into being. He was its inevitable outcome. Bomey points to recent trends that have created the perfect seedbed for spin, distortion, deception, and bald-faced lies: shifting news habits, the rise of social media, the spread of entrenched ideologies, and the failure of schools to teach basic critical-thinking skills The evidence supporting the author's argument is all around us: On Facebook, we present images of our lives that ignore the truth and intentionally deceive our friends and family. We consume fake news stories online and carelessly circulate false rumors. In politics, we vote for leaders who leverage political narratives that favor ideology over science. And in our schools, we fail to teach students how to authenticate information. After the Fact explores how the convergence of technology, politics, and media has ushered in the misinformation age, sidelining the truth and threatening our core principle of community.
Originally published in 1967, Meagher’s masterful dissection of the Warren Report, based on the Warren Commission’s own evidence, has stood the test of time. In some cases, declassifications of government records have corroborated the author’s suspicions and analyses, such as her amazing assertion that Oswald had never actually been charged with Kennedy’s murder, despite sworn testimony to the contrary. Meagher’s book raises serious questions not only about Oswald’s guilt in the JFK assassination and related crimes, such as the Tippit murder and the Walker shooting, but also about the methods and honesty of the Warren Commission, the FBI, and various Dallas police and other officials. When the Church Committee first began to re-examine the Warren Commission and its relationship with intelligence agencies in 1975, investigators were shocked by what they discovered. In Accessories After the Fact, Sylvia Meagher delivers a blistering blow to the credibility of the Warren Report, and decades after its original publication researchers and readers are still discovering what made her work so important.
‘A sublime gem of a novel’ Hannah Kent, author of Burial Rites Fifteen years after graduating from Harvard, five close friends on the cusp of middle age are still pursuing an elusive happiness and wondering if they’ve wasted their youthful opportunities. Mariam and Rowan, who married young, are struggling with the demands of family life and starting to regret prioritising meaning over wealth in their careers. Jules, already a famous actor when she arrived on campus, is changing in mysterious ways but won’t share what is haunting her. Eloise, now a professor who studies the psychology of happiness, is troubled by her younger wife’s radical politics. And Jomo, founder of a luxury jewellery company, has been carrying an engagement ring around for months, unsure whether his girlfriend is the one. The soul searching begins in earnest at their much-anticipated college reunion weekend on the Harvard campus, when the most infamous member of their class, Frederick – senior advisor and son of the recently elected and loathed US President – turns up dead. Old friends often think they know everything about one another, but time has a way of making us strangers to those we love – and to ourselves...
|Author||: James West Davidson|
|Release Date||: 2005|
|Pages||: 485 pages|