American Cinema American Culture

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American Cinema American Culture
Author: John Belton
Publisher: McGraw-Hill Higher Education
Release Date: 2012-01-11
ISBN 10: 0077443470
Pages: 329 pages
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American Cinema American Culture Book Summary :

American Cinema American Culture
Author: John Belton
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Release Date: 2005
ISBN 10: 9780072886276
Pages: 452 pages
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American Cinema American Culture Book Summary : Ideal for introducing American cinema courses, this text offers a cultural examination of the US motion picture industry, with attention focused on the economic & aesthetic institution of Hollywood.

American Cinema American Culture
Author: John Belton
Publisher: McGraw-Hill Education
Release Date: 2017-10-09
ISBN 10: 9780073514291
Pages: 464 pages
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American Cinema American Culture Book Summary : American Cinema/American Culture, 5th Edition, looks at the interplay between American cinema and mass culture from the 1890s to 2017. Students are introduced to the cultural history of film focusing on topics and issues rather than on rote learning. This introduction to American Cinema is ideal for introductory courses of American cinema, American film history courses, and introductory film appreciation courses. The text provides a cultural overview of the phenomenon of the American moviegoing experience, engagingly written in a lively and entertaining style by John Belton, a preeminent scholar in the field of film studies.

American Cinema American Culture
Author: John Belton
Publisher: McGraw-Hill Education
Release Date: 2012-01-11
ISBN 10: 9780073535098
Pages: 480 pages
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American Cinema American Culture Book Summary : American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

American Cinema American Culture
Author: John Belton
Publisher: N.A
Release Date: 2012-04-01
ISBN 10: 9780071326179
Pages: 448 pages
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American Cinema American Culture Book Summary : American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests.

Study Guide To Accompany American Cinema   American Culture
Author: John Belton
Publisher: McGraw-Hill Education
Release Date: 2012-02-09
ISBN 10: 9780077443467
Pages: 192 pages
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Study Guide To Accompany American Cinema American Culture Book Summary : Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.

The City in American Cinema
Author: Johan Andersson,Lawrence Webb
Publisher: Bloomsbury Publishing
Release Date: 2019-06-27
ISBN 10: 1350115622
Pages: 400 pages
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The City in American Cinema Book Summary : How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

American Cinema of the 1910s
Author: Charlie Keil,Ben Singer
Publisher: Rutgers University Press
Release Date: 2009
ISBN 10: 0813544459
Pages: 278 pages
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American Cinema of the 1910s Book Summary : It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important, and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. Charlie Keil is an associate professor in the Department of History and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Ben Singer is an associate professor of film in the Department of Communication Arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

American Cinema of the 1920s
Author: Lucy Fischer
Publisher: Rutgers University Press
Release Date: 2009
ISBN 10: 0813544858
Pages: 291 pages
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American Cinema of the 1920s Book Summary : In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.

American Cinema of the 1960s
Author: Barry Keith Grant
Publisher: Rutgers University Press
Release Date: 2008
ISBN 10: 0813542197
Pages: 275 pages
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American Cinema of the 1960s Book Summary : The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.

American Cinema of the 1930s
Author: Ina Rae Hark
Publisher: Rutgers University Press
Release Date: 2007
ISBN 10: 0813540828
Pages: 279 pages
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American Cinema of the 1930s Book Summary : Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.

American Cinema of the 1950s
Author: Murray Pomerance
Publisher: Rutgers University Press
Release Date: 2005
ISBN 10: 9780813536736
Pages: 287 pages
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American Cinema of the 1950s Book Summary : Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.

Violence and American Cinema
Author: John David Slocum
Publisher: Psychology Press
Release Date: 2001
ISBN 10: 9780415928090
Pages: 311 pages
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Violence and American Cinema Book Summary : First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

American Cinema of the 1940s
Author: Wheeler W. Dixon
Publisher: Rutgers University Press
Release Date: 2006
ISBN 10: 0813537002
Pages: 283 pages
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American Cinema of the 1940s Book Summary : The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, "American Cinema of the 1940s" brings this dynamic and turbulent decade to life with such films as "Citizen Kane," "Rebecca," "The Lady Eve," "Sergeant York," "How Green Was My Valley," "Casablanca," "Mrs. Miniver," "The Road to Morocco," "Yankee Doodle Dandy, ""Kiss of Death," "Force of Evil," "Caught," and" Apology for Murder." Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.

American Cinema  1890 1909
Author: André Gaudreault
Publisher: Rutgers University Press
Release Date: 2009
ISBN 10: 0813544432
Pages: 268 pages
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American Cinema 1890 1909 Book Summary : The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema."